Unstretched and stitched pigment paintings (blue series) using ultramarine (lapis lazulaie), cobalt blue and Italian mineral blue pigments with a resoluble binder on fragments of linen and canvas. Looking at the colour blue with all its associations, the blue of skies and seas, eyes and dreams, distance and memory, the blue of the Virgin's robes, medieval and Renaissance paintings, music, songs and prayers. BLUE IS BLUE. Blue is thotter than yellow, Blue is cold. Icy blue. Curaçao with ice. The earth is blue. The Virgin's mantle is the bright blue sky. This is the living blue. The blue of Divinity. Derek Jarman, Chroma, 1995:104